CIE ARTARA, Brussels, Belgium<\/p>\n
Director: Fabrice Murgia<\/p>\n
Music: An Pierl\u00e9<\/p>\n
Director and camera of the film: Juliette Van Dormael<\/p>\n
Set design: Rudy Sabounghi<\/p>\n
Costume design: Marie-H\u00e9l\u00e8ne Balau<\/p>\n
Research and Dramaturgical Collaboration: C\u00e9cile Michel<\/p>\n
Video and light design: Giacinto Caponio<\/p>\n
Assistant Director: Justine Lequette<\/p>\n
Set design assistant: Julien Soulier<\/p>\n
Video design assistant: Dimitri Petrovic<\/p>\n
Production: Cie Artara<\/p>\n
Co-productions: National Theater of Wallonia in Brussels, Theater Namur, Central – La Louvi\u00e8re, Mars- Mons Arts de la Sc\u00e8ne, Mons Foundation 2025 \u2013Biennale 2018 -2019, Printemps des Com\u00e9dines Montpellier, Com\u00e9die de Saint-Etienne- Center Dramatique National, Theater Jean Vilar de Vitry-sur-Sc\u00e8ne, le Carreau \u2013Sc\u00e8ne Nationale de Forbach i l’Est mosellan, Theaters in Drac\u00e9nie-Draguignan and Coop asbl, Shelter Productions<\/p>\n
Performers: Valerie Bachau, Clara Bonnet, Solene Cizeron, Vanessa Compagnucci, Vinora Epp, L\u00e9one Fran\u00e7ois, Magali Pignalut, Ariane Rousseau, Scarlet Tummers<\/p>\n
Quartet: An Pierl\u00e9 (vocals and piano), Keon Giessen (bass clarinet, saxophone, guitar and percussion), Hendrik Lasure (keyboards and computers), Casper Van de Velde (percussion)<\/p>\n
Fabrice Murgia has studied the diaries, short stories and essays of Sylvia Plath in search of the soul of this brilliant artist. The resulting play is in the form of a pop opera for the singer and nine actresses, composed by Belgian pianist and singer An Pierl\u00e9, and performed with the accompaniment of her quartet. Beautiful melancholic music builds and enriches the emotive portrait of Sylvia Plath. As a leading figure in feminism more focused on poetry than concrete engagement, Sylvia Plath has struggled all her life with the need to write and fulfill the American dream of the 1950s and 1960s in the form of the perfect mother and wife. These two deeply contradictory concepts of life also led to her death. The result of that struggle was the novel Glass Bell, published in 1963. To evoke that female voice, Fabrice Murgia created a layered piece, structured from numerous levels and conflicts within the person of this great American poet. Murgia spreads the image of Sylvia Plath by connecting her with other writers such as Virginia Woolf, Anne Sexton, Emily Bront\u00eb and others.<\/p>\n
The originality of this play lies in the mixing of genres; theater and film. During the performance, the viewer sees the creation of the film in real time on the big screen. The camera is in the hands of the virtuoso Juliette Van Dormael, who dissolves the writer, following the movements of different parts of Sylvia\u2019s personality from the beginning to the end of the play.<\/p>\n
Fabrice Murgia, born in 1983 in Verviers, Belgium, graduated from the Li\u00e8ge Conservatory, in the class of Jacques Delcuvellerie. After graduation, he performed as an actor in theater, television and film. He is currently writing and directing for the theater, and recently made his debut as a film director. Murgia is the founder and artistic director of CIA ARTARA. In 2009 he wrote and directed his first play entitled Les Chagrin des ogres, and in the same year he became a permanent external collaborator of the National Theater of Wallonia in Brussels, where in 2010 he directed the successful plays Life: reset-Chronique d’uneville epuis\u00e9e \/ Life: reset – The Chronicle of the Exhausted City and Dieu est un DJ \/ God is a DJ, to whom he shaped a unique stitch, using modern stage vocabulary to address present generations. In 2012, he wrote a play entitled Exils, which launched the ambitious European project Villes ensc\u00e8ne \/ Cities on Stage, which brings together seven European directors in a production that deals with how to live in multicultural European cities. He staged his text Children of Nowhere at the Santiago Festival in Milo in 2014 in collaboration with the LOD music theater. For the Avignon Festival, he staged a play based on his own text Notre peur de n’\u00eatre \/ Our Fear of Non-Existence, while at the Limoges Opera he staged the circus opera Daral Shaga in collaboration with Feria Music. In 2016, he became the artistic director of the National Theater of Wallonia in Brussels, and in the same year he wrote and directed the text Black Clouds for the Naples Theater Festival …<\/p>\n","price":"80-150 kn","buy_ticket_url":"https:\/\/www.hnk.hr\/hr\/prodaja\/predstava\/991\/","reccurent_start_timestamp":null,"start_time":"20:00:00","start_timestamp":1602532800,"formatted_start_time":"12.10.2020 \/ 20:00","end_time":"20:30:00","end_timestamp":1602534600,"reccurent_end_timestamp":null,"formatted_end_time":"12.10.2020 \/ 20:30","distance":null,"is_recurrent":false,"product_relation":null,"has_ticket":null,"day_of_week":"Monday","region":"zagreb","categories":[{"term_id":197,"name":"Theatre & Stand-Up","slug":"theatre-stand-up","term_group":0,"term_taxonomy_id":197,"taxonomy":"event_category","description":"","parent":0,"count":0,"filter":"raw"}],"tags":[{"term_id":1922,"name":"Festival svjetskog kazali\u0161ta","slug":"festival-svjetskog-kazalista-en","term_group":0,"term_taxonomy_id":1922,"taxonomy":"post_tag","description":"","parent":0,"count":2,"filter":"raw"},{"term_id":1745,"name":"hnk","slug":"hnk-en","term_group":0,"term_taxonomy_id":1745,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw"}],"thumbnail_featured_image":"https:\/\/divan.fyi\/wp-content\/uploads\/2020\/09\/sylvia.jpg","full_featured_image":"https:\/\/divan.fyi\/wp-content\/uploads\/2020\/09\/sylvia.jpg","place":{"id":4095,"permalink":"https:\/\/divan.fyi\/place\/hrvatsko-narodno-kazaliste\/","title":"Hrvatsko narodno kazali\u0161te","content":"
Hrvatsko narodno kazali\u0161te u Zagrebu sredi\u0161nja je i najstarija kazali\u0161na institucija u Hrvatskoj, u kojoj djeluju tri ansambla: operni, dramski i baletni.<\/p>\n
Godi\u0161nje se izvede najmanje dvanaest premijera, \u0161to uz dvadesetak repriznih naslova rezultira s vi\u0161e od dvjesto dvadeset scenskih izvedbi po sezoni. Kao sredi\u0161nja nacionalna ku\u0107a HNK u Zagrebu njeguje raznovrstan program te uz uprizorenja djela doma\u0107ih autora razli\u010ditih stilova i razdoblja, izvodi i djela klasi\u010dnoga i suvremenog svjetskog repertoara.<\/p>\n
HNK u Zagrebu posljednjih se nekoliko godina pozicioniralo kao relevantna kazali\u0161na ku\u0107a<\/a> u europskim i svjetskim okvirima te s tri stalna ansambla redovito gostuje na svjetskim pozornicama i ugo\u0161\u0107uje strane produkcije na svojoj pozornici. HNK u Zagrebu uveliko doprinosi kulturnom \u017eivotu metropole, razvijaju\u0107i i privla\u010de\u0107i sve raznolikiju kazali\u0161nu publiku, \u0161to rezultira izvedbama koje su ponekad rasprodane mjesecima unaprijed. Ve\u0107 nekoliko sezona HNK u Zagrebu je i producent i\/ili koproducent mnogih va\u017enih me\u0111unarodnih projekata, poput Festivala svjetskoga kazali\u0161ta, a ukorak s vremenom uspje\u0161no aplicira na europske fondove, ostvaruju\u0107i na taj na\u010din brojne kulturne suradnje.<\/p>\n Hrvatsko narodno kazali\u0161te u Zagrebu dio je europskih organizacija Opera Europa<\/a>, FEDORA platforme<\/a> i European Theatre Convention<\/a>.<\/p>\n Blagajna pretprodaje ulaznica<\/p>\n Dnevna blagajna<\/p>\n
\n\n
\n